The Yetee

You're Welcome

You're Welcome - Main image
$7.79 $11.99 In stock

Category: 12 Inch Vinyl Record

The word 'brat' has followed Nathan Williams around for almost a decade, but at the age of 30, with a fully-fledged business to his name, as well as the ongoing success of band Wavves, his rebellious streak has proven not just purposeful but pretty damn inspiring. 'You're Welcome' is the soundtrack to this new lease of freedom. It's Williams' tongue-in-cheek rebirth as a self-released, self-actualized, self-promoting punk kingpin, and despite putting his money where his uncensored mouth is, he's emerged not just unscathed but with the upper hand.Williams took himself into producer Dennis Herring's ['King Of The Beach'] studio in Downtown LA, and for the first time since the early records worked regular office hours and almost entirely alone. 'You're Welcome' is mostly comprised of Williams' oddball, sample-led brainstorms. He came up with 40 tracks, now whittled down to twelve, fat-free punk zingers. A sample nerd, Williams delved into his obsession with 1950s doo-wop and - surprisingly - international folk, including Cambodian pop and '70's psychedelia from South America.The results make for one of the most diverse and intricate Wavves records yet. 'Come To The Valley' contains a Phil Spector meets Beach Boys '60s High School dance vibe, whereas title track 'You're Welcome' riffs on sound effects that could almost originate from Bizarro World, never mind Cambodia. Nathan Williams never went away, but now he's made sure he's here to stay far longer. And for that, girls and boys, you're welcome.

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Customer Reviews (5.0 / 5 · 2 reviews)

Ryan ★★★★★

Thirty years old and still being called a brat, but this vinyl captures that tension perfectly—the pressing is clean and the bass on side A sounds especially punchy through my turntable. I keep coming back to the title track, it's got that raw Wavves energy without feeling like a throwback.

Ellie ★★★★★

I’ve listened to this record about ten times since it showed up, and the pressing is so clean you can hear every sloppy drum hit and reverb tail exactly as intended. For a guy who’s been called "brat" for a decade, Nathan’s turned that energy into something surprisingly mature at 30, yet it still hi