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Year Of The Banana (Indie Exclusive Yellow & Brown Splatter Vinyl)

Year Of The Banana (Indie Exclusive Yellow & Brown Splatter Vinyl) - Main image
$19.44 $27 In stock

Category: 12 Inch Vinyl Record

Rubblebucket’s new album explores one particular year from the band’s past known as the Year Of The Banana. Frontwoman Kalmia Traver has a personal practice of naming each year since 2011. However, in 2015 (Year Of The Banana) Kalmia’s romantic relationship with Rubblebucket co-founder Alex Toth fell apart, and that year was spent peeling off psychological layers in search of the sweetness that would allow the friendship, and the band, to continue. “People get obsessed with the albums that were never finished because the band couldn’t stay together,” Kalmia says. “But Year Of The Banana is the album that did get finished.” So Rubblebucket is celebrating 15 years as a band with a record about the year it almost ended.

Rubblebucket is still a through-and-through art rock dance band, virtuosic experimental musicians with a pop sensibility along the lines of Talking Heads, Prince, or Kate Bush. But there’s nothing retro about Rubblebucket’s sound; they’re mixing electronics with real instruments, especially horn sections (Alex plays trumpet, Kalmia sax) and they feel at home in the same universe as Caroline Polachek, SZA, or Chappell Roan.

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Customer Reviews (5.0 / 5 · 3 reviews)

Sebastian Z. ★★★★★

The yellow and brown splatter design is way cooler in person than the mockup photos suggested. Kalmia’s concept of naming years makes this album feel personal, and the vinyl pressing is dead quiet between tracks.

Charlotte ★★★★★

I was a little worried the vinyl would sound noisy given the splatter design, but it plays clean and captures that dreamy, horn-heavy energy perfectly. The album artwork and inner sleeve have this cool vintage feel that matches the whole Year of the Banana concept.

Mia ★★★★★

The yellow and brown splatter vinyl looks incredible—way more vibrant in person than the mockup suggested. It arrived perfectly flat with no warps, and the sleeve art captures that weird, personal vibe of the album’s story. This pressing made me appreciate Rubblebucket’s sound even more on my turnta