The Yetee

An Extension of Now: Unreleased Recordings 1968-69

An Extension of Now: Unreleased Recordings 1968-69 - Main image
$20.7 $30 In stock

Category: 12 Inch Vinyl Record

  • Includes Insert With Extensive Liner Notes By Richie Unterberger

“Underground” is a relative term. One could argue that all the ‘60s San Francisco psychedelic bands were underground, because the music they made was so far removed from the pop and rock sounds that came before them. But of all the bands in the scene, Lamb was perhaps the most underground of them all. It wasn’t just that their blend of rock, folk, classical, country, blues, and gospel was as hard to classify as any of the era. It was also their vibe. Along with classically trained guitarist and songwriting partner Bob Swanson, Barbara Mauritz’s versatile vocals paced material often imbued with a haunting, mystical aura. Yet they could also be earthy and rootsy, occasionally drifting into spacey psychedelia with hints of raga-rock.

Released in the early ‘70s, Lamb’s first two albums, A Sign of Change and Cross Between, did indeed offer some of the most intriguing and eclectic music of any San Francisco rock band on the psychedelic scene. But Lamb’s history predated the release of those records by a good couple of years or so. So prolific were Mauritz and Swanson that quite a few of their original compositions didn’t make it onto their albums, though these were often on par with the songs that did find official release. Unlike many bands of the time who had a bounty of surplus quality tunes, Lamb often taped these in studios and studio-like rehearsal conditions, as well as making some professional tapes of their live performances.

Fortunately, many of those tapes survive, including a good number of songs that didn’t find a place on their LPs, as well as substantially different versions of some that did. The best of these from the late 1960s find release for the first time on An Extension of Now: Unreleased Recordings 1968-1969. This collection not only rounds out our picture of one of San Francisco rock’s finest underappreciated acts, but also serves as a first-class document of Lamb as they made their transition from a more standard rock outfit to a group not

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Customer Reviews (5.0 / 5 · 3 reviews)

Chloe V. ★★★★★

The liner notes by Richie Unterberger are incredibly detailed and really set the historical context for these lost tracks. Hearing the band experiment with their sound in '68 and '69 is a fascinating glimpse into that era. A must for any serious collector of that San Francisco scene.

William ★★★★★

The vinyl pressing is dead quiet, letting the raw energy of those ‘68-69 recordings shine through without any surface noise. It’s a fascinating window into their early, more experimental sound, and the insert with Richie Unterberger’s liner notes gives solid context to each track.

Harper C. ★★★★★

The liner notes by Richie Unterberger alone are worth the price—they dive deep into the San Francisco scene and made me appreciate these tracks way more. The pressing itself is clean and quiet, so the unreleased psych gems really shine on my turntable.