寶藏盒中的珠寶：1953年芝加哥藍調爵士俱樂部 RSD'24

The audio quality on this Art Tatum set is incredible—you can really hear the room ambience of the Blue Note club from 1953. I’ve been playing side two on repeat, and the piano sounds so alive.

The triple-LP set feels substantial in the hands, and the liner notes add real context to these newly unearthed 1953 recordings. Art Tatum’s piano work is crystal clear across all three discs.

The sound quality on these three records is remarkable for a live ’53 session—you can practically feel the club’s atmosphere in the room. Unissued material from Tatum’s trio makes this a real gem for any jazz collector, and the packaging feels sturdy enough for repeated spins.