The Bootleg Series Vol. 7: That's What Happened (1982-1985)

I wasn't sure about this era of Miles, but the 12-inch vinyl really lets those electric synths and drum machines breathe — it's a surprisingly clear pressing. The gatefold sleeve is sturdy too, and the track sequencing makes it feel like a proper album. Definitely worth it for any fan of his later w

The vinyl pressing captures the low-end rumble of Marcus Miller’s fretless bass beautifully, and the 12‑inch format gives the extended jams room to breathe. It’s like eavesdropping on a band finding their groove in real time.

I’ve been digging into the live energy on this vinyl pressing, and the extended solos from the 1982-1985 period are just incredible. The 12-inch format really lets those layered electronic textures breathe without losing any warmth.