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The pressing is dead quiet between tracks, and the bass on this demo sounds punchier than the digital version I'd been listening to. The sleeve art has that raw, photocopied feel that fits the era perfectly.

I’ve had the 12-inch of this on repeat all week—the bass on side B cuts through cleaner than any digital stream I’ve tried. Side A’s opening track sounds especially raw and alive on this pressing.

The bass lines on this Fugazi demo cut through with a rawness I haven't heard on later pressings. The 12-inch surface is dead quiet, letting every bit of that early energy come through clearly.