The Yetee

On Fire: Live From The Blue Morocco

On Fire: Live From The Blue Morocco - Main image
$53.2 $76 In stock

Category: 12 Inch Vinyl Record

On Fire: Live From The Blue Morocco is a never-before-released recording of jazz trumpet icon Freddie Hubbard, captured live in 1967 at the Blue Morocco jazz club in The Bronx, New York - featuring Bennie Maupin, Kenny Barron, Herbie Lewis and Freddie Waits. Transferred from the original tape reels that were recorded by engineer Bernard Drayton, the limited edition 3 LP set was mastered by Matthew Lutthans at The Mastering Lab and pressed on 180-gram vinyl at Le Vinylist. The elaborate booklet includes liner notes by acclaimed journalist Shannon J. Effinger, plus interviews with artists who knew or were inspired by Freddie Hubbard, such as Eddie Henderson, Jeremy Pelt, Steven Bernstein, Reggie Workman, Dan Morgenstern and others. Released exclusively for Record Store Day 2025.

お支払い前の確認

利用可能な支払方法と最終金額は購入手続きで表示されます。

発送までの時間

注文の処理時間と配送時間の両方を見込んでください。

Standard Shipping: 出荷準備(営業日) 0–1; 輸送(営業日) 7–15.

Express Shipping: 出荷準備(営業日) 0–1; 輸送(営業日) 7–15.

規定を見る
返金が必要なとき

返金については注文番号を添えて店舗にお問い合わせください。

返送前に返金処理期間をご確認ください。

規定を見る
配送料金

お届け先と選択した配送方法の料金をご確認ください。

Standard Shipping · アメリカ合衆国: $0.00

Express Shipping · アメリカ合衆国: $3.99

規定を見る
返品前の確認

返送する前に適用される返品条件をご確認ください。

アメリカ合衆国 · 返品期限(受取後の日数): 30. 返品方法: 郵送. 返品送料: 販売者負担.

規定を見る

Customer Reviews (4.7 / 5 · 3 reviews)

Christopher ★★★★★

The crowd noise between tracks really puts you right there in that 1967 Bronx club. Freddie’s trumpet cuts through with such clarity, it’s hard to believe this was never released before.

Natalie I. ★★★★★

The sound quality on this pressing is incredible for a 1967 club recording—you can hear the crowd and that raw energy like you're right there in the Bronx. Freddie Hubbard's trumpet cuts through beautifully on my turntable, and the never-before-released aspect makes it a real gem for jazz fans.

Olivia M. ★★★★☆

The vinyl captures the raw energy of that 1967 Blue Morocco gig perfectly, and Hubbard’s trumpet cuts through the crowd noise like it’s right in the room. My only gripe is the surface noise on side two, but for a never-before-released live tape, it’s a fair trade.