インナ ソウル ステディ シチュエーション

The black vinyl plays with almost no surface noise, and the bass on side B hits way deeper than I expected from a 12-inch. I've spun it three times already today.

Joey Quin’s work on this record is surprisingly clean and detailed for a vinyl pressing. The bass hits really come through on my setup, and the opaque black finish looks sleek in the sleeve.

The opaque black vinyl feels solid and heavy in the hands, and the grooves are cut clean with no surface noise on my first spin. Side A's bass really kicks through on the 12-inch format, and the whole thing sounds warmer than the digital version I'd been streaming.