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Cracked this open after years of hunting a decent copy, and the pressing is dead quiet between tracks—exactly what you want for that nasty guitar tone. The SUPERJUMBO label detail is a nice touch for collectors, and the analog warmth comes through clear on side B.

I’d forgotten how raw and immediate this album sounds until I dropped the needle on this pressing—the surface noise is minimal, letting the jagged guitar cuts breathe. For a 1994 debut, it’s aged like a perfectly cracked concrete slab.

The bass on this pressing hits so much harder than I expected from a 1994 recording. The SUPERJUMBO label really did justice to the raw energy of each track.