1st

The pressing is dead quiet between tracks, which really lets the chaotic textures of this 1981 Japanoise recording shine through. It's easily the most unique piece in my collection now.

Honestly, I’m still shocked this 1981 session got a vinyl release at all, let alone one this clean. The packaging feels like a proper artifact, and the experimental noise still sounds utterly alien through my speakers. A true piece of Japanoise history.

The pressing itself is dead quiet, which honestly surprised me for a limited Japanoise release like this. Surface noise is basically nonexistent, so all that harsh 1981 texture comes through clean.