أغاني منفردة وجلسات 1979-1981 (فينيل زجاج البحر)

The sea glass vinyl looks stunning spinning on the turntable, and the bass lines from two bass players really come through with incredible clarity on this pressing.

I’d forgotten how much raw energy this era had until the needle hit the first track, and the dual basslines from Ros and Bethan just lock in perfectly. The sea glass pressing itself is a nice touch, but the sound is what really brings those Leeds post-punk sessions to life.

The sea glass vinyl is a gorgeous translucent green that catches the light beautifully, and the pressing is dead quiet between tracks. Hearing both Julz and Ros on bass across these sessions really shows how their dual-bass setup defined that Leeds post-punk sound.