من الخلف

The bass on side A is absolutely massive, and the way Patrick reworks those 60s garage cuts into extended disco workouts is pure genius. This pressing sounds incredibly clean, with zero surface noise even on my modest turntable.

The garage and soul covers here get this wild cybernetic makeover that still keeps the original swagger intact, and the pressing itself is dead quiet between tracks. I've had this on repeat for three days straight and it just keeps getting better.

The synth work on these Patrick Cowley covers has this amazing driving energy that makes you want to move. The B-side track really captures that classic 60s garage feel but with a totally fresh, electronic twist.