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I’ve had this on repeat since it arrived—the pressing is dead quiet and the bass really shines through. Calvin Johnson’s guest spot on the second side is a perfect weird little surprise.

The collaboration between Doug Martsch and Calvin Johnson has this loose, playful energy that comes through beautifully on wax, and the pressing itself is quiet and clean. Side B with Steve Fisk’s production is a nice curveball that keeps the whole record feeling alive.

Finally, a fresh pressing of this gem — Doug Martsch's guitar work on side A is pure bliss. The vinyl arrived perfectly flat with no surface noise, and the packaging feels like a proper tribute to the underground scene.